“Unlike the portraits painted at the beginning of the 1970s, characterized by more textured pigments and painted with gestural strokes, the portrait of Barbara Molasky is a good example of his second period, in which the image is presented in high contrast against a flat background, and the most important features are emphasized: the eyes and the mouth.”
Juan Guardiola, Curator
“The atmosphere of the work is, on the other hand, similar to that of a work in construction, as if implying that the viewer must construct or reconstruct its meaning. “
Enrique Juncosa, Curator
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