{"id":370745,"date":"2026-04-27T18:24:29","date_gmt":"2026-04-27T18:24:29","guid":{"rendered":"https:\/\/veritas.art\/lot\/a-four-case-lacquer-inro-1549382272\/"},"modified":"2026-04-27T18:24:29","modified_gmt":"2026-04-27T18:24:29","slug":"a-four-case-lacquer-inro-1549382272","status":"publish","type":"lot","link":"https:\/\/veritas.art\/en\/lot\/a-four-case-lacquer-inro-1549382272\/","title":{"rendered":"[Auction 159] Lot 152 &#8211; A four-case lacquer inr\u014d"},"content":{"rendered":"Japan, Edo period, late 18th \/ early 19th century\r\r\nOf rounded rectangular section with gently convex sides\r\r\nDecorated in iroe-hiramaki-e and takamaki-e on a black lacquer ground, with gold and red highlights\r\r\nWith a continuous scene of a mounted warrior fording a river, towards a pine tree extending over the top to the reverse\r\r\nOn the reverse, the pine continuing above turbulent waves, with two swallows in flight\r\r\nHimotoshi channels decorated with scrolling foliage evoking ivy (tsuta)\r\r\nBase in plain gold lacquer and interiors in plain black lacquer\r\r\n\r\r\n\u65e5\u672c \u6c5f\u6237\u65f6\u4ee3\u665a\u671f \u5341\u516b\u4e16\u7eaa\u672b\u81f3\u5341\u4e5d\u4e16\u7eaa\u521d \u9ed1\u6f06\u5730\u91d1\u83b3\u7ed8\u6b66\u58eb\u6e21\u6cb3\u56fe\u56db\u6bb5\u5370\u7b3c\uff0c\u4ee5\u5e73\u83b3\u7ed8\u53ca\u9ad8\u83b3\u7ed8\u6280\u6cd5\u9970\u9a91\u9a6c\u6b66\u58eb\u6d89\u6c34\u53ca\u677e\u6811\u6d77\u6d6a\u53cc\u71d5\uff0c\u6731\u91d1\u70b9\u7f00\uff0c\u91d1\u6f06\u5e95\uff0c\u5185\u9af9\u9ed1\u6f06\u3002","protected":false},"featured_media":371758,"template":"","categories":[],"class_list":["post-370745","lot","type-lot","status-publish","has-post-thumbnail","hentry"],"acf":{"auction_number":"159","number":"152","ref":"152","letter":"0","hammer_value":"0","show_hammer_value":true,"estimation_min":"2000","estimation_max":"3000","price_on_request":false,"author":false,"auction":{"ID":370176,"post_author":"44","post_date":"2026-03-17 12:23:13","post_date_gmt":"2026-03-17 12:23:13","post_content":"","post_title":"Auction 159 - Asian Art","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"auction-159-asian-art","to_ping":"","pinged":"","post_modified":"2026-05-07 10:58:12","post_modified_gmt":"2026-05-07 10:58:12","post_content_filtered":"","post_parent":0,"guid":"https:\/\/veritas.art\/?post_type=auction&#038;p=370176","menu_order":0,"post_type":"auction","post_mime_type":"","comment_count":"0","filter":"raw"},"name":"A four-case lacquer inr\u014d","dimensions":"6x5,3x1,9 cm","description":"Japan, Edo period, late 18th \/ early 19th century<br \/>\r<br \/>\r\nOf rounded rectangular section with gently convex sides<br \/>\r<br \/>\r\nDecorated in iroe-hiramaki-e and takamaki-e on a black lacquer ground, with gold and red highlights<br \/>\r<br \/>\r\nWith a continuous scene of a mounted warrior fording a river, towards a pine tree extending over the top to the reverse<br \/>\r<br \/>\r\nOn the reverse, the pine continuing above turbulent waves, with two swallows in flight<br \/>\r<br \/>\r\nHimotoshi channels decorated with scrolling foliage evoking ivy (tsuta)<br \/>\r<br \/>\r\nBase in plain gold lacquer and interiors in plain black lacquer<br \/>\r<br \/>\r\n<br \/>\r<br \/>\r\n\u65e5\u672c \u6c5f\u6237\u65f6\u4ee3\u665a\u671f \u5341\u516b\u4e16\u7eaa\u672b\u81f3\u5341\u4e5d\u4e16\u7eaa\u521d \u9ed1\u6f06\u5730\u91d1\u83b3\u7ed8\u6b66\u58eb\u6e21\u6cb3\u56fe\u56db\u6bb5\u5370\u7b3c\uff0c\u4ee5\u5e73\u83b3\u7ed8\u53ca\u9ad8\u83b3\u7ed8\u6280\u6cd5\u9970\u9a91\u9a6c\u6b66\u58eb\u6d89\u6c34\u53ca\u677e\u6811\u6d77\u6d6a\u53cc\u71d5\uff0c\u6731\u91d1\u70b9\u7f00\uff0c\u91d1\u6f06\u5e95\uff0c\u5185\u9af9\u9ed1\u6f06\u3002","additional_info":[{"title":"Additional Information","text":"Note:<br \/>\r<br \/>\r\nThe composition, combining a river crossing, pine tree, ivy (tsuta) and birds in flight, evokes episodes from the Ise monogatari associated with the travels of Ariwara no Narihira, particularly chapter 9, in which the protagonist crosses Mount Utsu along a path overgrown with ivy and later reaches the Sumida river, where he composes his celebrated poem on the miyakodori. The depiction of the rider in armour, however, suggests an affiliation with warrior iconography of medieval inspiration, opening the possibility of a layered reading between classical literary tradition and martial epic, a recurrent device in the decorative repertoire of the late Edo period."}],"gallery":[{"image":{"ID":371758,"id":371758,"title":"159_152","filename":"152-scaled.jpg","filesize":370410,"url":"https:\/\/veritas.art\/wp-content\/uploads\/2026\/04\/152-scaled.jpg","link":"https:\/\/veritas.art\/en\/lot\/inro-de-quatro-compartimentos-904265342\/159_152\/","alt":"","author":"44","description":"","caption":"","name":"159_152","status":"inherit","uploaded_to":370744,"date":"2026-04-27 20:38:02","modified":"2026-04-27 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