{"id":370723,"date":"2026-04-27T18:24:13","date_gmt":"2026-04-27T18:24:13","guid":{"rendered":"https:\/\/veritas.art\/lot\/a-rare-and-unusual-aogai-inlaid-lacquer-tonkotsu-attributed-to-the-somada-school-1199851625\/"},"modified":"2026-04-27T18:24:13","modified_gmt":"2026-04-27T18:24:13","slug":"a-rare-and-unusual-aogai-inlaid-lacquer-tonkotsu-attributed-to-the-somada-school-1199851625","status":"publish","type":"lot","link":"https:\/\/veritas.art\/en\/lot\/a-rare-and-unusual-aogai-inlaid-lacquer-tonkotsu-attributed-to-the-somada-school-1199851625\/","title":{"rendered":"[Auction 159] Lot 141 &#8211; A rare and unusual aogai-inlaid lacquer tonkotsu, attributed to the Somada school"},"content":{"rendered":"Japan, Edo period, 17th\/18th century\r\r\nOf elongated rectangular form, with sliding cover and silk cord passed through lateral apertures\r\r\nThe red lacquer ground densely inlaid with small irregular fragments of aogai mother-of-pearl in the manner of the Somada school, contrasting with hiramaki-e gold decoration\r\r\nThe continuous decoration unfolding across all six sides in two registers: above, including the top, flocks of chidori in flight against a mother-of-pearl sky; below, including the base, stylised seigaiha waves rendered entirely in gold, punctuated by mother-of-pearl reflections and stylised boat sails emerging between the waves\r\r\nThe interior and inner sliding cover decorated in gold\r\r\nBearing collection labels numbered 146 (side) and 144 (base)\r\r\n\r\r\n\u7a00\u6709\u9752\u8d1d\u6f06\u5668\u70df\u8349\u76d2\uff0c\u4f20somada\u6d3e\u4f5c\u54c1\uff0c\u65e5\u672c\u6c5f\u6237\u65f6\u4ee3\uff0c\u5341\u4e03\/\u5341\u516b\u4e16\u7eaa\u3002\u957f\u65b9\u5f62\uff0c\u6ed1\u76d6\uff0c\u7ea2\u6f06\u5730\u5bc6\u5d4c\u9752\u8d1d\u7ec6\u7247\uff0c\u914d\u91d1\u5e73\u83b3\u7ed8\u88c5\u9970\uff0c\u516d\u9762\u901a\u666f\uff1a\u4e0a\u90e8\u5343\u9e1f\u7fa4\u98de\u4e8e\u87ba\u94bf\u5929\u7a7a\uff0c\u4e0b\u90e8\u91d1\u5f69\u9752\u6d77\u6ce2\u7eb9\u4e2d\u70b9\u7f00\u5e06\u5f71\uff0c\u5185\u58c1\u65bd\u91d1\u3002","protected":false},"featured_media":371684,"template":"","categories":[],"class_list":["post-370723","lot","type-lot","status-publish","has-post-thumbnail","hentry"],"acf":{"auction_number":"159","number":"141","ref":"141","letter":"0","hammer_value":"0","show_hammer_value":true,"estimation_min":"4000","estimation_max":"6000","price_on_request":false,"author":false,"auction":{"ID":370176,"post_author":"44","post_date":"2026-03-17 12:23:13","post_date_gmt":"2026-03-17 12:23:13","post_content":"","post_title":"Auction 159 - Asian Art","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"auction-159-asian-art","to_ping":"","pinged":"","post_modified":"2026-05-07 10:58:12","post_modified_gmt":"2026-05-07 10:58:12","post_content_filtered":"","post_parent":0,"guid":"https:\/\/veritas.art\/?post_type=auction&#038;p=370176","menu_order":0,"post_type":"auction","post_mime_type":"","comment_count":"0","filter":"raw"},"name":"A rare and unusual aogai-inlaid lacquer tonkotsu, attributed to the Somada school","dimensions":"4,5x7,7x1,5 cm","description":"Japan, Edo period, 17th\/18th century<br \/>\r<br \/>\r\nOf elongated rectangular form, with sliding cover and silk cord passed through lateral apertures<br \/>\r<br \/>\r\nThe red lacquer ground densely inlaid with small irregular fragments of aogai mother-of-pearl in the manner of the Somada school, contrasting with hiramaki-e gold decoration<br \/>\r<br \/>\r\nThe continuous decoration unfolding across all six sides in two registers: above, including the top, flocks of chidori in flight against a mother-of-pearl sky; below, including the base, stylised seigaiha waves rendered entirely in gold, punctuated by mother-of-pearl reflections and stylised boat sails emerging between the waves<br \/>\r<br \/>\r\nThe interior and inner sliding cover decorated in gold<br \/>\r<br \/>\r\nBearing collection labels numbered 146 (side) and 144 (base)<br \/>\r<br \/>\r\n<br \/>\r<br \/>\r\n\u7a00\u6709\u9752\u8d1d\u6f06\u5668\u70df\u8349\u76d2\uff0c\u4f20somada\u6d3e\u4f5c\u54c1\uff0c\u65e5\u672c\u6c5f\u6237\u65f6\u4ee3\uff0c\u5341\u4e03\/\u5341\u516b\u4e16\u7eaa\u3002\u957f\u65b9\u5f62\uff0c\u6ed1\u76d6\uff0c\u7ea2\u6f06\u5730\u5bc6\u5d4c\u9752\u8d1d\u7ec6\u7247\uff0c\u914d\u91d1\u5e73\u83b3\u7ed8\u88c5\u9970\uff0c\u516d\u9762\u901a\u666f\uff1a\u4e0a\u90e8\u5343\u9e1f\u7fa4\u98de\u4e8e\u87ba\u94bf\u5929\u7a7a\uff0c\u4e0b\u90e8\u91d1\u5f69\u9752\u6d77\u6ce2\u7eb9\u4e2d\u70b9\u7f00\u5e06\u5f71\uff0c\u5185\u58c1\u65bd\u91d1\u3002","additional_info":[{"title":"Additional Information","text":"Note:<br \/>\r<br \/>\r\nThe Somada school (Somada-ry\u016b), founded by Somada Kiyosuke in the late 17th century and active across several generations, was renowned for its distinctive technique of aogai inlay, employing small, irregular fragments of mother-of-pearl densely applied over lacquer grounds, frequently red or black. The density of the mosaic, the iridescence of the blue-green shell and its interplay with hiramaki-e gold decoration, as seen here, are hallmarks of this tradition.<br \/>\r<br \/>\r\n<br \/>\r<br \/>\r\nProvenance:<br \/>\r<br \/>\r\nDaage Collection, 11 June 1912, Lot 80<br \/>\r<br \/>\r\nThe Marquis Costa de Beauregard"}],"gallery":[{"image":{"ID":371684,"id":371684,"title":"159_141","filename":"141-scaled.jpg","filesize":546334,"url":"https:\/\/veritas.art\/wp-content\/uploads\/2026\/04\/141-scaled.jpg","link":"https:\/\/veritas.art\/en\/lot\/invulgar-e-raro-tonkotsu-com-embutidos-de-madreperola-atribuivel-a-somada-1012137442\/159_141\/","alt":"","author":"44","description":"","caption":"","name":"159_141","status":"inherit","uploaded_to":370722,"date":"2026-04-27 20:25:01","modified":"2026-04-27 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