{"id":340412,"date":"2025-05-20T23:29:52","date_gmt":"2025-05-20T23:29:52","guid":{"rendered":"https:\/\/veritas.art\/lot\/a-rare-pair-of-imperial-vienna-porcelain-covered-urns-713651402\/"},"modified":"2025-05-22T13:08:53","modified_gmt":"2025-05-22T13:08:53","slug":"a-rare-pair-of-imperial-vienna-porcelain-covered-urns-713651402","status":"publish","type":"lot","link":"https:\/\/veritas.art\/en\/lot\/a-rare-pair-of-imperial-vienna-porcelain-covered-urns-713651402\/","title":{"rendered":"[Auction 150] Lot 26 – A Rare Pair Of Imperial Vienna Porcelain Covered Urns"},"content":{"rendered":"Imperial and Royal Porcelain Manufactory, Vienna\r\r\nOf classical silhouette, with ovoid bodies and elegant profiles, each surmounted by a gently curved conical lid topped with a pinecone-shaped finial. Both urns flanked by two tall, rectilinear handles rising in harmony with the form of the body.\r\r\nFinely decorated in gold and polychrome enamels on a translucent Pompadour pink ground, with chinoiserie scenes inspired by compositions by Jean-Baptiste Pillement (1728\u20131808), depicting oriental figures in exotic gardens with pavilions and stylised botanical elements.\r\r\nThe neck and foot are adorned with gilt trellis bands of clover motifs on a black ground.\r\r\nMarked underglaze in blue with the Imperial Vienna \u2018Bindenschild\u2019; red-painted decorator\u2019s number \u201862\u2019, attributable to Franz G\u00e4rtner (active 1771\u20131841); and impressed numbers \u2018801\u2019 (year mark for 1801) and \u201812\u2019.\r\r\nAustria, 1801\r\r\n(minor restorations)","protected":false},"featured_media":342671,"template":"","categories":[32,31],"class_list":["post-340412","lot","type-lot","status-publish","has-post-thumbnail","hentry","category-porcelain","category-porcelanas"],"acf":{"auction_number":"150","number":"26","ref":"26","letter":"0","hammer_value":"30000","show_hammer_value":true,"estimation_min":"30000","estimation_max":"35000","price_on_request":false,"author":false,"auction":{"ID":339950,"post_author":"44","post_date":"2025-03-28 16:05:47","post_date_gmt":"2025-03-28 16:05:47","post_content":"","post_title":"Auction 150 - Antiques & Works of Art, Silver & Jewellery","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"auction-150-antiques-works-of-art-silver-jewellery","to_ping":"","pinged":"","post_modified":"2025-06-06 17:22:07","post_modified_gmt":"2025-06-06 17:22:07","post_content_filtered":"","post_parent":0,"guid":"https:\/\/veritas.art\/?post_type=auction&p=339950","menu_order":0,"post_type":"auction","post_mime_type":"","comment_count":"0","filter":"raw"},"name":"A Rare Pair Of Imperial Vienna Porcelain Covered Urns","dimensions":"Height: 29,7 cm","description":"Imperial and Royal Porcelain Manufactory, Vienna
\r\n
\r\nOf classical silhouette, with ovoid bodies and elegant profiles, each surmounted by a gently curved conical lid topped with a pinecone-shaped finial. Both urns flanked by two tall, rectilinear handles rising in harmony with the form of the body.
\r\n
\r\nFinely decorated in gold and polychrome enamels on a translucent Pompadour pink ground, with chinoiserie scenes inspired by compositions by Jean-Baptiste Pillement (1728\u20131808), depicting oriental figures in exotic gardens with pavilions and stylised botanical elements.
\r\n
\r\nThe neck and foot are adorned with gilt trellis bands of clover motifs on a black ground.
\r\n
\r\nMarked underglaze in blue with the Imperial Vienna \u2018Bindenschild\u2019; red-painted decorator\u2019s number \u201862\u2019, attributable to Franz G\u00e4rtner (active 1771\u20131841); and impressed numbers \u2018801\u2019 (year mark for 1801) and \u201812\u2019.
\r\n
\r\nAustria, 1801
\r\n
\r\n(minor restorations)","additional_info":[{"title":"Additional Information","text":"Literature:
\r\n\u00c1. S. Guimar\u00e3es da Mota, Gravuras de chinoiserie de Jean-Baptiste Pillement, vol. 1 \u2013 Texto, Faculdade de Letras da Universidade do Porto, Porto, 1997.
\r\n
\r\nE. Sturm-Bednarczyk e C. Jobst, Viennese Porcelain of Classicism: The Era of Conrad von Sorgenthal 1784\u20131805, Christian Brandst\u00e4tter, Viena, 2000.
\r\n
\r\nV. Finlay, Rose: Madame Pompadour\u2019s Luxurious Pink, in The Brilliant History of Color in Art, J. Paul Getty Museum, Los Angeles, 2014.
\r\n
\r\nLa Porcelaine de S\u00e8vres du XVIIIe si\u00e8cle. Catalogue de la collection, Hermitage Museum, S\u00e3o Petersburgo, 2005.
\r\n
\r\nW. Neuwirth, Wiener Porzellan 1718\u20131864, Viena, 1979, pp. 48, 366.
\r\n
\r\nMAK Collection Online: Works of the Vienna Porcelain Manufactory Augarten.
\r\n
\r\n"},{"title":"A Pair of Covered Urns from the Imperial Vienna Porcelain Manufactory: Exoticism and Refinement","text":"This rare pair of covered urns from the Kaiserlich-K\u00f6nigliche Porzellan-Manufaktur Wien exemplifies the technical and artistic excellence achieved during the directorship of Konrad von Sorgenthal (1784\u20131805), a pivotal figure in the history of the Viennese manufactory. Under his leadership, the factory gained international acclaim, competing with the most prestigious European porcelain centres through a successful balance of artistic refinement and commercial acumen.
\r\nDated 1801, these pieces are adorned with an exceptional chinoiserie decoration over a Pompadour pink ground, executed by the painter Franz G\u00e4rtner, whose identifying number \u201c62\u201d is painted in red on the base of each urn. Active from 1771 until 1841, G\u00e4rtner was one of the manufactory\u2019s most accomplished artists, widely recognised for the precision and delicacy of his painted ornament.
\r\nThe scenes on these urns closely echo compositions by Jean-Baptiste Pillement (1728\u20131808), the French artist whose chinoiserie designs became highly influential throughout Europe between the 1750s and 1770s. Pillement\u2019s visual vocabulary combined stylised Oriental figures, pavilions, fantastical vegetation and decorative fantasy, establishing a picturesque idiom that was broadly imitated in porcelain, textiles and mural painting.
\r\nThe vibrant Pompadour pink that frames these scenes has a story of its own. Originally developed at the Manufacture Royale de S\u00e8vres, the colour was named in honour of Madame de Pompadour, Louis XV\u2019s influential mistress and a great patron of the arts. This luminous and unmistakable shade \u2013 arguably the first example of a personal brand colour in decorative arts history \u2013 was referred to in France simply as rose, but across Europe it was already known by association with its celebrated sponsor. According to legend, Madame de Pompadour declared, upon turning thirty, that her \u201cdays of wearing pink were over\u201d \u2013 yet the colour endured in porcelain decoration as a lasting symbol of elegance and refinement.
\r\nAlthough the neoclassical, \u00e0 l\u2019antique form of these urns was widely used by the Vienna manufactory during Sorgenthal\u2019s tenure, the specific combination of form, palette and chinoiserie decoration seen here is exceedingly rare. Striking parallels may be drawn with the \u201cvase \u0153uf \u00e0 monter\u201d model from the Manufacture Royale de S\u00e8vres \u2013 particularly with one example preserved in the Hermitage Museum in Saint Petersburg, and two others held in private collections, all dated 1779\u20131780. The resemblance lies not only in the ovoid form and painted subjects, but also in the way Franz G\u00e4rtner emulated, through finely painted gilt ornament on a black ground, the ormolu mounts that adorn the French prototypes. This remarkable trompe-l\u2019oeil treatment suggests that these urns may have been produced as a special commission, likely for a client familiar with the original S\u00e8vres works.
\r\nBeyond their formal beauty and technical finesse, these urns stand as testament to the rich artistic dialogue between Europe\u2019s major porcelain centres. They embody a moment in which the circulation of images, techniques and ideas gave rise to some of the most brilliant achievements in the history of European decorative arts.
\r\n
\r\nJo\u00e3o Francisco Barreto"}],"tags":"Porcelain","gallery":[{"image":{"ID":342671,"id":342671,"title":"150_26","filename":"26-scaled.jpg","filesize":410380,"url":"https:\/\/veritas.art\/wp-content\/uploads\/2025\/05\/26-scaled.jpg","link":"https:\/\/veritas.art\/en\/lot\/raro-par-de-urnas-cobertas-938549290\/150_26\/","alt":"","author":"44","description":"","caption":"","name":"150_26","status":"inherit","uploaded_to":340411,"date":"2025-05-21 14:41:25","modified":"2025-05-21 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