{"id":215426,"date":"2021-11-04T00:19:52","date_gmt":"2021-11-04T00:19:52","guid":{"rendered":"https:\/\/veritas.art\/lot\/a-large-regency-style-sugar-shaker-777277338\/"},"modified":"2021-11-07T20:41:40","modified_gmt":"2021-11-07T20:41:40","slug":"a-large-regency-style-sugar-shaker-777277338","status":"publish","type":"lot","link":"https:\/\/veritas.art\/en\/lot\/a-large-regency-style-sugar-shaker-777277338\/","title":{"rendered":"[Auction 111] Lot 414 &#8211; A large Regency style sugar shaker"},"content":{"rendered":"French silver\r\nPart gilt silver of pierced bayonet cover with stylised floral motifs alternating with engraved foliage on a matte ground topped by a floral lid pommel. The strangled body is bordered with fillets and gadroons and lambrequin and lanceolate foliage decoration on a matte ground. Engraved floral, foliage and pom-pom motifs to neck.\r\nIt rests on a gadrooned pedestal. Gilt interior\r\nParis, 19th century, marked CARDEILHAC and &#8220;Minerve 1er titre&#8221;\r\n\r\nMade in the late 19th c., at the height of Maison CARDEILHAC&#8217;s success, this large Regency style sprinkler, is of a quality worthy of the finest examples of its time. The piercing is delicate, alluding to lace, and the shaker is punctuated by a well balanced decoration faithful to the decorative language of the Regency period\r\n\r\nSugar shakers were the sugar spoon ancestors, appearing on the domestic table in the mid-17th c., being referred to as &#8220;sugar bowls&#8221;. In 1690, FURETI\u00c8RE defined &#8220;sugar bowl&#8221; as a &#8220;vessel, which is usually silver, served on a table full of powdered sugar. We make it come out through holes, when we want to put it on fruit, or make some other seasoning \u201d. In the 18th c., the term \u201csugar bowl\u201d referred to a \u201csugar pot\u201d. Sugar shakers are sometimes referred to as &#8220;powder sugar&#8221;. The first mention to a &#8220;sugar shaker&#8221; can be found in the 1653 MAZARIN&#8217;s inventory.","protected":false},"featured_media":216808,"template":"","categories":[38],"class_list":["post-215426","lot","type-lot","status-publish","has-post-thumbnail","hentry","category-silver"],"acf":{"auction_number":"111","number":"414","ref":"414","letter":"0","hammer_value":"460","show_hammer_value":true,"estimation_min":"300","estimation_max":"350","price_on_request":false,"author":false,"auction":{"ID":213413,"post_author":"44","post_date":"2021-10-06 15:56:45","post_date_gmt":"2021-10-06 15:56:45","post_content":"","post_title":"Auction 111 - L\u2019 Art de la Table \u2013 La Collection de Jean-Fran\u00e7ois Le D\u00fb","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"auction-111-l-art-de-la-table-la-collection-de-jean-francois-le-du","to_ping":"","pinged":"","post_modified":"2021-11-17 17:11:55","post_modified_gmt":"2021-11-17 17:11:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/veritas.art\/?post_type=auction&#038;p=213413","menu_order":0,"post_type":"auction","post_mime_type":"","comment_count":"0","filter":"raw"},"name":"A large Regency style sugar shaker","dimensions":"19,5 cm<br \/>\r\n229 g","description":"French silver<br \/>\r\nPart gilt silver of pierced bayonet cover with stylised floral motifs alternating with engraved foliage on a matte ground topped by a floral lid pommel. The strangled body is bordered with fillets and gadroons and lambrequin and lanceolate foliage decoration on a matte ground. Engraved floral, foliage and pom-pom motifs to neck.<br \/>\r\nIt rests on a gadrooned pedestal. Gilt interior<br \/>\r\nParis, 19th century, marked CARDEILHAC and \"Minerve 1er titre\"<br \/>\r\n<br \/>\r\nMade in the late 19th c., at the height of Maison CARDEILHAC's success, this large Regency style sprinkler, is of a quality worthy of the finest examples of its time. The piercing is delicate, alluding to lace, and the shaker is punctuated by a well balanced decoration faithful to the decorative language of the Regency period<br \/>\r\n<br \/>\r\nSugar shakers were the sugar spoon ancestors, appearing on the domestic table in the mid-17th c., being referred to as \"sugar bowls\". In 1690, FURETI\u00c8RE defined \"sugar bowl\" as a \"vessel, which is usually silver, served on a table full of powdered sugar. We make it come out through holes, when we want to put it on fruit, or make some other seasoning \u201d. In the 18th c., the term \u201csugar bowl\u201d referred to a \u201csugar pot\u201d. Sugar shakers are sometimes referred to as \"powder sugar\". The first mention to a \"sugar shaker\" can be found in the 1653 MAZARIN's inventory.<br \/>\r\n<br \/>\r\n","additional_info":[{"title":"Additional Information","text":"Maison CARDEILHAC (1804-1951) was founded by Antoine-Vital CARDEILHAC in 1804 at 4 rue du Roule.<br \/>\r\nProducing pieces of varied styles but all of exceptional design and quality CARDEILHAC would receive various  awards throughout the years; a bronze medal at the 1823 Exposition and silver medals in 1827 and 1834.<br \/>\r\nBetween 1851-1885 the company was run by his son Armand-\u00c9douard CARDEILHAC, who was awarded a silver medal at the 1867 Paris  Exposition Universelle and a gold medal at the 1878  Exposition Universelle a fact that consecrated the prestigious \"\"Maison\"\".<br \/>\r\nIn 1885 his grandson, Ernest, who had completed his apprenticeship with the silversmith Harleux, assumes the company's leadership. It was then that silver and goldsmithing is introduced to the firm and the workshops organised for this manufacture. He also buys the fund of the \"\"Maison LEBON\"\".<br \/>\r\nAssisted by three artists, the draughtsman Lucien-Hugues BONVALLET, the sculptor Ernest AIGUIER and the chiseller Fr\u00e9d\u00e9ric VIAT, Cardeilhac displays his first works at the  1889 Exposition Universelle being awarded a silver medal. At the 1900 Exposition he presided over the flatware jury and achieved great success with pieces made in silver and materials such as wood and ivory.<br \/>\r\nMarie-Am\u00e9lie CARDEILHAC, widow of Armand-\u00c9douard assumes the leadership before passing the company on to her two sons, Jacques and Pierre. She run the company between 1904-1913 at 24 place Vend\u00f4me,  manufacturing platework and between 1904-1920 at 91 rue de Rivoli making silverware. In 1951 the company merged with Christofle.<br \/>\r\nIt is possible to find works by CARDEILHAC in major international museum collections such as at the Mus\u00e9e d'Orsay and the Mus\u00e9e des Arts D\u00e9coratifs, Paris, the Metropolitan Museum of Art,  the Smithsonian, the Virginia Museum of Fine Arts and the Cleveland Museum of Art in the U.S.A., the Suntory Museum of Art in Tokyo, the Kunsgewerbe Museum in Berlin, the Najonalmuseet in Oslo and the Tsarsko\u00efe Selo Palace in Russia"}],"tags":"Silver","gallery":[{"image":{"ID":216807,"id":216807,"title":"111_414","filename":"414.jpg","filesize":5676751,"url":"https:\/\/veritas.art\/wp-content\/uploads\/2021\/11\/414.jpg","link":"https:\/\/veritas.art\/en\/lot\/polvilhador-de-acucar-estilo-regencia-123264367\/111_414\/","alt":"","author":"5529","description":"","caption":"","name":"111_414","status":"inherit","uploaded_to":215425,"date":"2021-11-04 18:42:25","modified":"2021-11-04 18:42:27","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/veritas.art\/wp-includes\/images\/media\/default.png","width":3160,"height":4740,"sizes":{"thumbnail":"https:\/\/veritas.art\/wp-content\/uploads\/2021\/11\/414-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/veritas.art\/wp-content\/uploads\/2021\/11\/414.jpg","medium-width":200,"medium-height":300,"medium_large":"https:\/\/veritas.art\/wp-content\/uploads\/2021\/11\/414.jpg","medium_large-width":768,"medium_large-height":1152,"large":"https:\/\/veritas.art\/wp-content\/uploads\/2021\/11\/414.jpg","large-width":683,"large-height":1024,"1536x1536":"https:\/\/veritas.art\/wp-content\/uploads\/2021\/11\/414.jpg","1536x1536-width":1024,"1536x1536-height":1536,"2048x2048":"https:\/\/veritas.art\/wp-content\/uploads\/2021\/11\/414.jpg","2048x2048-width":1365,"2048x2048-height":2048,"v_medium":"https:\/\/veritas.art\/wp-content\/uploads\/2021\/11\/414-640x960.jpg","v_medium-width":640,"v_medium-height":960,"gform-image-choice-sm":"https:\/\/veritas.art\/wp-content\/uploads\/2021\/11\/414.jpg","gform-image-choice-sm-width":200,"gform-image-choice-sm-height":300,"gform-image-choice-md":"https:\/\/veritas.art\/wp-content\/uploads\/2021\/11\/414.jpg","gform-image-choice-md-width":267,"gform-image-choice-md-height":400,"gform-image-choice-lg":"https:\/\/veritas.art\/wp-content\/uploads\/2021\/11\/414.jpg","gform-image-choice-lg-width":400,"gform-image-choice-lg-height":600}},"is_video":false,"video_source":"","video_id":"","use_video_thumbnail":true}],"auction_session":"2"},"_links":{"self":[{"href":"https:\/\/veritas.art\/en\/wp-json\/wp\/v2\/lot\/215426","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veritas.art\/en\/wp-json\/wp\/v2\/lot"}],"about":[{"href":"https:\/\/veritas.art\/en\/wp-json\/wp\/v2\/types\/lot"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veritas.art\/en\/wp-json\/wp\/v2\/media\/216808"}],"wp:attachment":[{"href":"https:\/\/veritas.art\/en\/wp-json\/wp\/v2\/media?parent=215426"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veritas.art\/en\/wp-json\/wp\/v2\/categories?post=215426"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}