{"id":183897,"date":"2020-10-02T10:15:58","date_gmt":"2020-10-02T10:15:58","guid":{"rendered":"https:\/\/veritas.art\/lot\/francois-linke-attrib-1855-1946-962257129\/"},"modified":"2020-10-03T14:58:22","modified_gmt":"2020-10-03T14:58:22","slug":"francois-linke-attrib-1855-1946-962257129","status":"publish","type":"lot","link":"https:\/\/veritas.art\/en\/lot\/francois-linke-attrib-1855-1946-962257129\/","title":{"rendered":"[Auction 101] Lot 4 – Fran\u00e7ois Linke, Attrib. (1855-1946)"},"content":{"rendered":"Tea table\r\nKingwood veneered\r\nParquetry decoration and gilt. Moulded and chiselled bronze mounts after a design by Leon Message\r\nOf two circular tops. The upper top with glass and gilt bronze removable tray supported on four putti with triton tails\r\nGeometric design and lozenge parquetry decoration to lower top\r\nAcanthus leaves and shell motifs bronze decorative elements applied to scalloped apron, cabriole legs and feet\r\nApron bronze mounts marked “FL” to obverse\r\nFrance, ca. 1900","protected":false},"featured_media":185329,"template":"","categories":[36],"class_list":["post-183897","lot","type-lot","status-publish","has-post-thumbnail","hentry","category-furniture"],"acf":{"auction_number":"101","number":"4","ref":"4","letter":"0","hammer_value":"19000","show_hammer_value":true,"estimation_min":"15000","estimation_max":"25000","price_on_request":false,"author":false,"auction":{"ID":180472,"post_author":"44","post_date":"2020-07-03 12:30:59","post_date_gmt":"2020-07-03 12:30:59","post_content":"","post_title":"Auction 101 - Antiques & Works of Art","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"auction-101-antiques-works-of-art-2","to_ping":"","pinged":"","post_modified":"2021-02-08 15:37:38","post_modified_gmt":"2021-02-08 15:37:38","post_content_filtered":"","post_parent":0,"guid":"https:\/\/veritas.art\/?post_type=auction&p=180472","menu_order":0,"post_type":"auction","post_mime_type":"","comment_count":"0","filter":"raw"},"name":"Fran\u00e7ois Linke, Attrib. (1855-1946)","dimensions":"92x79x71 cm","description":"Tea table
\r\nKingwood veneered
\r\nParquetry decoration and gilt. Moulded and chiselled bronze mounts after a design by Leon Message
\r\nOf two circular tops. The upper top with glass and gilt bronze removable tray supported on four putti with triton tails
\r\nGeometric design and lozenge parquetry decoration to lower top
\r\nAcanthus leaves and shell motifs bronze decorative elements applied to scalloped apron, cabriole legs and feet
\r\nApron bronze mounts marked \"FL\" on the reverse
\r\nFrance, ca. 1900","additional_info":[{"title":"","text":"NINETEENTH CENTURY FURNITURE
\r\n
\r\nThe second half of the 19th century is, undoubtedly, the age when decorative arts favoured the revivalist taste, the fusion of styles and the collecting. At an age when society looked attentively at the past, the greatest masters of previous centuries were inevitably reinterpreted by the new artists, hence promoting the emergence of quality replicas that were accepted by their contemporaries as genuine works of art. The glory of the golden age of Versailles was reborn in the decorative arts, particularly in furniture, inspired by the artistic character of the reigns of Louis XIV, Louis XV and Louis XVI and by the much admired prototypes of the great furniture makers such as Andr\u00e9-Charles Boulle (1642-1732), Jean-Fran\u00e7ois Oeben (1721-1763) or Jean-Henri Riesener (1734-1806).
\r\nIn 1860s Paris there a noticeable increase in the number of luxury furniture making workshops which, in that period employed 2000 workers, a figure
\r\nin stark contrast with the 14,500 employed by the lower quality furniture making workshops. Luxury furniture makers were amongst the most privileged Paris craftsmen, being responsible for the production of exceptional pieces of furniture often destined to the French Imperial House or to other European Royal Courts.
\r\nThe two tea tables that we are bringing to sale are particularly representative of the artistic quality and irreprehensible production technique of two exceptional artists of that era, Paul Sormani (1817-1877) and Fran\u00e7ois Linke (1855-1946).
\r\n
\r\nLiterature:
\r\nPAYNE, Christopher, 19thCentury European Furniture, Antique Collectors \u0301Club 1985;
\r\nRODRIGUES, Tiago, The furniture of Maison Krieger at art auction: A fine vitrine in Louis XV style sold by Veritas at Lisbon, ArtisOn, no5, Lisboa, ARTIS-IHA\/FLUL, 2017;
\r\nVERLET, Pierre, Le mobilier royal fran\u00e7ais du XVIIIe si\u00e8cle. IV \u2013 Meubles de la Couronne conserv\u00e9s en Europe et aux \u00c9tats-Unis, Paris, Editions Picard, 1990;
\r\nVERLET, Pierre, Les \u00e9b\u00e9nistes du XVIII si\u00e8cle fran\u00e7ais, Paris, Hachette, 1963;
\r\nVERLET, Pierre, Les meubles fran\u00e7ais du XVIII si\u00e8cle, 2o edi\u00e7\u00e3o, Paris, Presses Universitaire de France, 1982.
\r\n
\r\nFran\u00e7ois Linke (1855-1946)
\r\n
\r\nFran\u00e7ois Linke was born in June 1855 at Pankraz in Bohemia. After an apprenticeship with a local furniture maker, the young Linke travelled to Prague, Budapest and Weimar as a salaried worker. It was only in 1881, after having worked for various German masters, that he opened his own workshop at Rue du Faubourg-Sainte-Antoine, the Paris street where furniture makers congregated.
\r\nAt a time of fierce competition, his path would not be easy and, for the following two decades, he would survive by selling his own furniture to other makers such as Jason and Krieger.
\r\nAll changed in 1900 following his participation at the Paris Universal Exhibition. For this greatest of events, and having established a partnership with L\u00e9on Messag\u00e9, Linke produced sixteen pieces from which stand out the Grand Bureau, that granted him a gold medal, and the Grande Biblioth\u00e8que, as well as an exuberant cupboard and a long-case clock belonging today to the Medeiros e Almeida Museum in Lisbon.
\r\nFor his contemporaries, Linke\u2019s Great Exhibition participation was a truly reinvigorating experience, making him stand out from amongst the other furniture makers that were simply showing traditional furniture inspired by 18th century styles. Linke\u2019s work, on the other hand, was characterized by a symbiosis between the traditional styles and the developing Art Nouveau artistic movement, a successful combination that popularized his style as \u201centi\u00e8rement nouveau\u201d. Charles Dambreuse, one of the critics attending the Exhibition wrote: \u201cL\u2019Exposition de la maison Linke est le gros \u00e9v\u00e9nement de l\u2019histoire du meuble d\u2019art en l\u2019an de gr\u00e2ce 1900\u201d.
\r\nThose sixteen masterpieces were the result of many hours of hard labour as well
\r\nas of Linke\u2019s bet on his future. All the production costs were fully assumed by himself, with no anticipated commissions or sales expectations, a fact that, in case of failure, could have ruinous consequences. The risk taken would however pay off and the recognition and exposure at the Great Exhibition would effectively open the path to many reputable and significant commissions, allowing him to open a permanent showroom at Place Vend\u00f4me in 1903. From that moment onwards his clientele diversified, as he detailly annotated in his diaries, to include royalty (the kings of Sweden, Belgium and Egypt or Prince Radziwill), politicians (president \u00c9mile Loubet), American millionaires and even other illustrious makers that would visit his showroom and acquire his pieces.
\r\nHe would participate in other international events, such as the St. Louis Exhibition in 1904, being awarded a gold medal, or the Franco-British Exhibition in 1908 in London. Presumably in the latter he must have been visited by a member of the British Royal Family, as can be inferred by the presence of one of his chests of drawers in the Royal Collection. Displayed at Buckingham Palace\u2019s Tapestry Room since 1914, this important piece of furniture is clearly seen in a series of 1934 photographs of King George V, Queen Mary and the then Prince of Wales, future King Edward VIII and Duke of Windsor.
\r\nAfter World War 1, Fran\u00e7ois Linke accepted the extraordinary commission of furnishing the Ras el-Tin Palace in Alexandria, for Egyptian King Fuad I (1868-1936), possibly the largest furniture commission ever, eclipsing even those from 18th century Versailles.
\r\nWith its reputation fully established, Maison Linke became a distinguished furniture maker well until the beginning of World War 2, its technical brilliance and the artistic change it had embodied never again repeated in the history of furniture.
\r\nIn 1906 Fran\u00e7ois Linke was appointed Chevalier de l\u2019Ordre de la L\u00e9gion d\u2019Honneur, the highest French Decoration that was allowed to him. He kept accepting commissions, both from French and overseas patrons, up until the 1940 German Occupation of Paris, eventually dying in May 1946, a few days before his 91st birthday.
\r\n
\r\nL\u00e9on Messag\u00e9 (1842-1901)
\r\n
\r\nIn the last decades of the 19th century, Linke developed a very productive partnership with sculptor, bronze caster and designer L\u00e9on Messag\u00e9 (1842- 1901). Linke\u2019s success as the most important furniture maker of the Belle \u00c9poque is based on the originality of his designs as well as on the quality of the pieces he produced, both characteristics that made him, \u201d... the most sought after furniture maker of the late 19th and early 20th centuries\u201d, according to furniture expert Christopher Payne.
\r\nL\u00e9on Messag\u00e9 was born in Burgundy in 1842, and aged 20 he is working
\r\nin Paris as a sculptor and designer of furniture, silver and other decorative objects, in collaboration with such furniture makers as Roux et Brunet or Joseph Emmanuel Zwiener. Interestingly, the fact that he reserved the rights over all
\r\nhis works, allowed him to use and adapt his production to pieces by different maker\u2019s.
\r\nIn 1890 he published the \u201cCahier des Dessins et Croquis Style Louis XV\u201d, a compilation of 36 drawings for furniture, silver and other objects.
\r\nThe present tea table bronze mounts are similar to some of the models published in this book.
\r\n"}],"tags":"Furniture","auction_session":"1","gallery":[{"image":{"ID":185328,"id":185328,"title":"101_4","filename":"4.jpg","filesize":10098749,"url":"https:\/\/veritas.art\/wp-content\/uploads\/2020\/10\/4.jpg","link":"https:\/\/veritas.art\/en\/lot\/francois-linke-attrib-1855-1946-58119925\/101_4\/","alt":"","author":"44","description":"","caption":"","name":"101_4","status":"inherit","uploaded_to":183896,"date":"2020-10-02 13:08:25","modified":"2020-10-02 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